Developed by Tim Fisher specifically for painting with pastels. The paper has no surface pattern, which can otherwise show through, on your painting, and it will take layer after layer of pastel. Suitable for both fine, detailed work and also for more impressionistic painting. It is also very good for mixed media. His revolutionary surface has proved popular with both professional and amateur painters.
Paper coated with a fine abrasive grit, for pastel work. Only available in buff color, but can be tinted with inks, acrylics or watercolors.
Bainbridge Acid-Free Foam Board features acid and lignin free paper liners and has micro-chamber technology designed to absorb and neutralize harmful gasses to protect artwork from impurities. Toothier surface paper provides a stronger grip for adhesive. Light weight and rigid with firm memory core.
Pure Film Dry Mount Adhesive is a heat activated, 100% pure adhesive film that melts when heated and bonds as it cools. VERSAMOUNT remains re-activatable for easy removal or for utilizing a self-trimming technique. Because it is 100% pure adhesive, with no tissue or glassine core, small pieces can be overlapped, patched or pieced together without creating a telltale ridge. With its ability to flow under heat and pressure, VERSAMOUNT is ideally suited to mounting and textured artwork, filling in nooks, crannies and voids left empty by conventional dry mount tissues. This ensures an exceptionally strong bond on difficult to mount items.